The exhibition bays in
the historic Mortlock Wing open a window into the history and culture
of South Australia, featuring the people, places, issues and events that
have contributed to the state’s
development. The exhibitions showcase the richness and breadth of State
Library collections, with historical and contemporary materials used
to illustrate particular themes.
Selected items lent by other organisations further enhance the stories
told. New items will be featured from time to time to add further interest
and preserve fragile materials.
The exhibition bay themes highlight areas of particular relevance to
South Australia, and largely reflect State Library collection strengths.
The themes are the history of the State Library, exploration, shipping,
social and political reform, religion, communities, arts and culture,
architecture, wine, sport and children’s literature.
The Mortlock Wing is open Monday to Sunday, and public holidays from 10.00 am to 5.00 pm, except for Christmas Day, Boxing Day, New Year's Day and Good Friday, when the State Library is closed.
South Australia was fortunate that its first Colonial Secretary,
Robert Gouger, had the foresight to bring with him a trunk full
of books, the nucleus of South Australia’s first public library.
Opened in 1861, the South Australian Institute Building on North
Terrace was built to house a developing range of cultural collections
and services. The Jervois Wing followed in 1884 and the Bastyan
Wing in 1967.
The trunk full of books has grown into 50 kilometres of material
as at 2004. Most of this is housed in the redeveloped Bastyan Wing
that was reopened in 2003 as the Spence Wing.
The State Library continues to provide access to books and a myriad
of other information sources for the people of South Australia.
The discovery and exploration of South Australia by Europeans
began long before colonisation in 1836. The coast was charted in
1627 and 1802, but no further exploration occurred until Charles
Sturt followed the River Murray from the Great Dividing Range in
the east to the sea in 1829-30.
After the establishment of Adelaide in 1836, the colonists gradually
pushed out the boundaries of settlement in their search for pastures
and minerals.
The salt lakes of the arid interior barred initial progress, but
26 years after the first colonists landed at Glenelg, the north
coast of Australia was finally reached by John McDouall Stuart.
Shipping in South Australia began with the immigrant ships, and
traffic was largely one way as there was no outward cargo in 1836.
Gradually exports of mineral ores, grain and wool built up as the
colony grew, and cargoes went overseas or to the other colonies.
Steam took over from sail, although sailing ships were still taking
the grain harvest to Europe in the 1930s.
River trade on the Murray was an important component of South
Australian trade. Intercolonial passenger ships, gulf and river
cruises, as well as overseas cruise ships were all part of the
shipping at Port Adelaide and the outports.
South Australia was born of the ideas of a prisoner serving three
years in Newgate Gaol on a conspiracy charge relating to marriage
with a 15 year old heiress at Gretna Green.
Edward Gibbon Wakefield’s experience of the English penal
system convinced him of the need to alleviate the social problems
of over population by emigration to the colonies.
Thus began a continuing social experiment in South Australia with
high ideals being proclaimed if not always achieved in practice.
When taken up they have placed South Australia at the forefront
of reforms such as Women’s Suffrage, Aboriginal Land Rights
and Equal Opportunity.
South Australia in the 21st century is a society that Wakefield
could hardly have imagined, but the tradition continues.
Detail: Some recent SA Art. Flinders University Art Museum, 1989.
Permission courtesy Nigel Murray-Harvey and Linda Halliday
The arts are regarded as one of South Australia’s strengths.
The state enjoys an impressive reputation for creative achievement
and vibrant artistic activities.
South Australian artists continue to succeed nationally and internationally,
in diverse fields such as visual arts, writing, film-making, music
and dance.
Known as ‘the festival state’, Adelaide and regional
centres host approximately five hundred festivals and special events
each year. These range from the multi-arts Adelaide Festival of
Arts and Adelaide Fringe, to the Barossa Vintage Festival, Kernewek
Lowender, and Coober Pedy Opal Festival.
Detail : SA Living Artists Week, 2000
Permission courtesy South Australian Living Artists Festival
The architecture of South Australia is characterised by six chronological
styles, beginning with Old Colonial to 1840, Victorian to 1890,
Federation to 1915, Interwar, Postwar and the Late Twentieth Century
from 1960.
Many of the beautiful buildings standing today date from short
periods of exceptional prosperity, such as the wheat boom of the
1870s and 1880s.
Architects were not required to be registered until 1939, but
the major figures such as George Strickland Kingston, Thomas English,
and Edmund Wright are well known.
South Australia is noted for the use of corrugated iron, for underground
houses at Coober Pedy, and for 'Adelaide lace' decorative cast iron
on verandas.
Left : Duryea Panorama - click and drag mouse left or right to view.
The State Library of South Australia has the largest collection
of wine literature in the southern hemisphere and one of the biggest
in the world. This is appropriate for a state whose wine industry
is one of its major economic activities.
The collection ranges from an 11th century manuscript leaf detailing
punishments for drunken monks, to recently published books and
magazines in different languages.
Donations of wine and beer labels, menus and wine lists from the
community, and diaries from wine-makers add colour and life. Although
the collection is strong in South Australian and other Australian
material, the aim is to cover the whole world of wine.
Sport has always been loved by South Australians, whether as participants
or spectators, playing netball or bowls, cheering on their team
in a Grand Final or participating in a watermelon race at a community
picnic.
Because of this tradition, athletes from South Australia have
tested themselves in local, national and international arenas.
The colour of those arenas are part of the fabric of the community.
Some of South Australia’s favourite sons and daughters are
sporting icons, known around the world. The memorabilia of sport
adds to the tradition, through photographs, films and videos, medals,
badges and trophies, many donated to the State Library by the community.
The games children play, the toys that amuse them, the books they
read, all play a part in forming the adult that will be.
Whether the toys are elaborately manufactured or hand made, they
are an inherent part of childhood. In the world of books, children
learn about the world outside the walls of their home or school,
or are carried away to magic worlds beyond their own.
Children’s books, toys and games are ephemeral items usually
lost over time, but those displayed here have nearly all been read
or played with by South Australian children and donated to the
State Library for safekeeping.
This exhibition is dedicated to South Australia’s founding
men and women who brought to the state a rich Christian heritage
that helped shape it’s unique identity.
Many Christians believed that South Australia was distinctive
because, unlike other Australian colonies, it was established by
godly men and women on a religious basis. They saw it as a colony
founded on the principles of religious and political liberty: a
great and free colony…under the Blessing of Divine Providence as
stated by Governor Hindmarsh in his Proclamation address on 28
December 1836.
During the nineteenth century, Christians worked vigorously to
spread the Word, on horseback, by paddle-steamer, bicycle and camel-buggy;
in the German, English, Njarrirndjeri and Aranda languages; in
the bush, in farmhouses, stone chapels and cathedrals. Adelaide
became known as ‘the city of churches’.
Sponsored by Pray SA
A rich tapestry
Leaving all behind, men, women and children arrived on South Australia’s
shores, shaping new lives and re-forming this most ancient of lands.
From ships’ deserters, whalers and sealers to 'boat people’.
From the carefully planned migration schemes of Edward Gibbon Wakefield,
through the importation of Irish brides for lonely bushmen, to
Barwell boys sent out as agricultural labourers. And more recently
from those escaping nightmares in war-torn Europe and Asia.
The South Australian landscape is a rich tapestry in private ownership,
in the traditional ownership of Aboriginal communities, or in the
stewardship of local, state and commonwealth governments.